Painting

  • Ruby Too Blue

    Here’s the next installment in the Ruby series, Ruby Too Blue. She’s as bright as Sunday morning sunshine.

    Ruby Too Blue
  • Ruby Thursday

    Here’s the newest in the Ruby-inspired mini-series.

    Ruby Thursday
  • Pearl

    Here’s the second installment of my new mini-series inspired by Ruby.

    Pearl
  • Ruby Blue

    I’m starting a new mini-series with Ruby as the inspiration. Ruby is one of my all time favorite little paintings. Here’s Ruby Blue, acrylic on paper, 7 x 5 inches.

    Ruby Blue
  • After a 2-month break on this painting for a soul-inspiring trip to New Orleans, this painting is now underway. Again. Part of my process is that just when I think I’m finished, I go back in to fix something or make it better. Just a quick little change, I tell myself. Shouldn’t take more than…

    Ha, ha! You said underpaints
  • Waiting in the wings

    This painting came out of a conversation between Melissa, Carol Robinson, and me. Collaboration is a wonderful thing!    

    Waiting in the wings
  • Recipe: start with a painting of an easel called “The Forbidden Red Wing,” clear the negative space, create your text path, cogitate for a spell, wiki till you find that perfect something and obfuscate with a liberal dose of latin. Est autem fides credere quod nondum vides; cujus fidei merces est videre quod credis. — St.…

    Altered easel ad infinitum
  • I dream of Milan

    Here’s a new painting named for our neighborhood in New Orleans between Baronne and Dryades.

    I dream of Milan
  • Li’l Minnie

    Here’s Minnie, the first painting to arrive at the Nola studio.  

    Li’l Minnie
  • I just thought I’d give you a peek into the studio. Here’s what I’ve been working on over the past few weeks.

    New painting coming into view
  • Memorial chairs

    I finished painting these two chairs for a friend.  

    Memorial chairs
  • There and back again

    Every good painting takes me down a path that eventually leads to a catastrophe. The trick is getting past it. That’s the secret ingredient in this little 5 by 4 inch survivor.

    There and back again
  • Just a tiny little thing

    I printed one of the houseghost images on canvas and mounted it on gatorboard in a couple of sizes. The point was to create a starting off point for more explorations of the image. And it worked!

    Just a tiny little thing
  • Variations on a theme

    I’ve been having fun working with the second houseghost and making new variations. Here’s the original followed by two new versions.

    Variations on a theme
  • HG4

    I just put the finishing touches on the fourth houseghost. One of my favorite parts is the plant, of all things. Time for a Kaliber.

    HG4
  • That Wizard of Oz moment

    What once was black and white is now getting a splash of color.  

    That Wizard of Oz moment
  • Here’s the latest houseghost progression. For the past few paintings I’ve been trying out a new technique — creating a black/white/gray image first, then overlaying color. What I’ve discovered is that oftentimes the intermediate steps are fine and could be finished images all on their own.  

    Study in black and white and ghostly
  • This houseghost took six weeks to fully form. Here’s a little slideshow of the many phases of Jo the Houseghost. Cast your vote for which point in the painting I should have stopped fiddling with it!        

    A houseghost too far? You decide!
  • Step by slow step, Jo the houseghost emerges from the darkness.

    Step by slow step: Jo enters
  • Visitation

    Let me just tell you a thing or two about these houseghosts. They walk around as if they own the place. But they don’t. They don’t own the place. They’re just visitors. Not owners. And as visitors they have very few rights. They do, and I emphasize do, get to roam around the place and…

    Visitation

Angels on Bikes is an online magazine featuring my art, some very unscientific experiments and a few stories that’ll make you go hmm?

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